The Alchemy of Creation

Did I grab your attention with that epic title? Well it’s fitting. What we’re talking about today is life changing. Literally.

There’s a phrase the old alchemists used to use: Solve et Coagula. Roughly it means dissolve, then come together. Break something down into it’s parts, analyze them, then reassemble them in a different form. In other words, to create, you must destroy. Now, we all know the alchemists were misguided. It’s not possible to literally transmute lead in to gold (at least not without a particle accelerator) but figuratively, they may have been on to something.  After all, if you want to make an omelette, you have to break a few eggs.

No matter how deep you go, this concept of Solve et Coagula applies to all levels of the creative process. On the surface level, what do you sketch on if you don’t chop down trees to make sketch paper? How do you sculpt without ripping clay or marble out of the ground?

And once you do have your marble, you have to destroy it and break it down in a selective way, leaving behind only that which adds to your design. Art is a destructive process as much as it is creative.

Going deeper, you must be willing to destroy your own creations in order to improve them. Sometimes literally, sometimes not. We have to be willing to see our work objectively. Where is it good, but where is it bad? A lot of artists have no problem seeing where their work is bad, in fact many are overly critical, and that’s a good thing. But sometimes we can be too protective or precious about a piece of art that we’re especially proud of. Or even worse, just because we took a long time to create it and we’re too lazy to do it again. And so we reject honest criticism from people who’s artistic sensibilities we would normally trust.  (If you don’t trust their artistic eye, why are you asking their opinion anyway?)

What are we trying to do? What are we trying to create beyond good 3D characters, props, and environments? Ultimately we’re trying to create a certain life for ourselves. We’re not just creating art, we’re recreating ourselves into artists. And, as we’ve been saying, creation is a destructive process, That concept applies at this deeper level as well. This is the hardest aspect of this idea to accept, and it’s even harder to put it in to practice. How do you expect to make a sculpture without ripping clay out of the earth? How do you expect to form it into a piece of art without tearing most of it off from the whole and discarding it? And how do you expect to create the life of an artist for yourself without destroying your old life? The lives of the artist and the non-artist are not the same, and you can’t have both.

Every thing we do is a sacrifice of something else. Every single action we take, we do to the exclusion of everything else. If you’re sleeping, you’re not eating. If you eating, you’re not jogging. If you’re playing video games, you’re not practicing your art. If you’re practicing you’re art, you’re not doing literally everything else you could be doing. How much you chose to sacrifice in order to improve your art is up to you.

We’re getting a little heady so let’s bring this back down to earth. If you want to get good at zbrush, you may have to quit your WoW guild and give up your position on the League of Legends leaderboards.  You may have to give up your nightly 6 hour Netflix binge sesh. The most successful 3D artists are the ones who live and breathe their craft.  While you’re learning the modeling pipeline, you also need to be teaching yourself discipline.  Because more important than motivation and inspiration, is the ability to work even when you don’t want to.  Or did you think that all it takes to be a 3D artist is to get a degree and then go to work at a game studio 9-5? There are only so many hours in a day and only so many days in a lifetime. How many hours a day are you spending on improving your art? How you spend your time is how you spend your days. And how you spend your days is how you spend your life.

Solve et Coagula. You have to destroy if you want to create.

As long as I’m using overly-grandiose language to describe basic truths about life, I might as well leave you with an equally over-the-top quote:

“Step into the fire of self-discovery. This fire will not burn you, it will only burn what you are not.” – Mooji

 

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Motivational Monday: Single Tasking

If you aren’t subscribed to Ryan Kingslien’s email list, you should be.

 

I found today’s motivational message to be very helpful. It speaks directly to my weakness. I’ll copy/paste it here, but I suggest that you sign up for the list yourself. Also go find Ryan Kingslien on any form of social media you can and add/follow/subscribe to him. He’s an amazing artist and an even better motivator.

 

In the distraction-rich environment that we work and play in today it’s easy to forget that FOCUS is one of our super-powers. Linear FOCUS on the steps and THE WORK that matters makes all the difference in the world when we are creating.

One tool that we can use to get better at this is: SINGLE TASKING.

Pushing That Drug

Ever switch over to Facebook to check a message only to “wake up” about 30 minutes later and wonder why you’re looking at a video of a guy sneaking up on people at the beach showers to add shampoo to their hair? What was I doing before checking that message?

You’re on the DRIP of DOPAMINE.

One study showed that multi-tasking could lower your IQ by as much as 15 points to return you to an 8th grade level not to mention the cognitive load that switching from one task to another creates on the brain.

Today, we know that human are built for single tasking but distraction is a multi-billion dollar business today and there are a few undisputed kings. Facebook being one of them.

The real problem with multi-tasking is not the IQ thing, though. It’s not the loss of time. It’s the addiction to DOPAMINE that comes with it.

When you switch from one small task to another small task like checking email, reading that cool facebook post, checking artstation, writing a message, etc you get a little hit of Dopamine… and it feels good… in the moment…

Are You Speed Dating Your Art Work?

Dopamine is not, though, FULFILLMENT. It is excitement.

Here’s the rub:

CREATING ART IS MORE LIKE MARRIAGE THAN LIKE DATING

Getting excited may get the conversation moving but it’s going to take a WHOLE LOT MORE before it becomes a successful marriage.

So, I have a question for you: Are you treating your art like a one-night stand? Are you that guy?

If you’re sitting around waiting for the perfect piece of art to spring from you’re hands, I’ve just met this Nigerian prince that needs your help…

What To Do

Turn OFF Facebook. Turn off your phone. Close your Inbox. Unplug your computer from the internet.

Do THIS not because you’ll finally be able to get some work done.

Do THIS because this is how you TRAIN your brain to do the REAL WORK that needs to be done. To push forward when the Dopamine is not coming. To stay focused, committed to your work when you’re not sure it’s even going to work out.

Do THIS because this is how you build real muscle into you abilities.

And sign up for Jason Martin’s character creation course for games HERE. It’s early registration so you save 25% if you sign up today but that ends May 29th.

Much Love,

Ryan

Inspiring words for when you’re overly critical of your work.

Neill Cameron, a successful comic book artist, had some things to say on his twitter to young budding artists when he saw them tearing up their drawings…

 

“I was working recently with a bunch of kids who kept tearing up their own drawings in frustration, so I did something I’ve not done before. I talked honestly to a classroom full of children about how much I hate my own drawing. Okay, not the full extent. These kids ain’t ready to hear that. But that I do. They were kind of appalled and horrified and fascinated, but anyway, they stopped tearing up their drawings. As I attempted to explain it – and many of you reading this will know this already – when you make a drawing, there are two versions of it. There’s the version that exists in your head, and then there’s the version that ends up on paper. And because you can see both versions, you can’t help but compare them, and feel frustrated by the difference. But here’s the thing, and I think it’s easy to forget this: no-one else can see that first version. They can’t judge against it. They can only see, and judge, the version that exists on paper. And you know what, this sounds crazy, but they might actually like it, for what it is. They might think it’s cool that you made it.”

To be an artist is to hate everything you make, at least a little bit. Body builders have this concept called “chasing the pump.” For an hour or so after you lift weights, your muscles will look flexed and toned because they’re all pumped up. But here’s the thing, you can get as big as you want, but you’ll never be as big as your pump. Being an artist is the same way. The more you learn and grow as an artist, the more ideas you’ll have that are just beyond your abilities. The result is that you’ll ALWAYS feel inadequate as an artist, and that’s ok! As long as you recognize it. As soon as you grasp a rung of the ladder, your focus shifts to the next one.

That’s why you shouldn’t destroy you art work, even if you think it sucks. Even if it DOES suck! Objectively! Because in the future, when you don’t suck, you’ll still feel like you do, and it’ll be encouraging to look back and see how far you’ve come.

“I have offended God and mankind because my work did not reach the quality it should have.” Leonardo da Vinci

Interview with a Blizzard Character Artist

http://www.cgsociety.org/news/article/3086/creating-characters-for-aaa-games-with-renaud-galand

RENAUD GALAND just did an interview on CGSociety about how he broke into the industry and eventually got a job at Blizzard as a character artist on Overwatch. He touches on a lot of helpful subjects, like how to get exposure, what to put in your demo reel, and what companies like Blizzard are looking for in an artist. It’s a great interview if you want a glimpse into the world of character art for AAA games and what it takes to be a part of that industry.

On the technical and artistic sides—and in a never ending changing industry like ours—adapting to new techniques should be part of your daily routine, regardless of your job title or responsibilities. If you chose that path, it hopefully means that you share at least two of the main qualities that will help you get where you want: passion and curiosity. Researching, practicing, and learning should feel like a natural extension of your work.

Actual Game Artist Critiques Recent Grad’s Resume and Portfolio

Watch this mock interview and portfolio/resume critique between an actual video game artist and an actual recent graduate. I love this video because it shows you how to present yourself to new employers as someone who has no industry experience.

Stop limiting yourself with your words.

When ZBrush first became a big thing in the CG world, I remember learning it in class and thinking “This is cool but I don’t really need it.” So whenever the topic of this cool new software came up in conversation I would always repeat something along those lines. “ZBrush looks rad but I don’t really use it.”  Over time, “I’m not a ZBrusher” kind of became an unconscious mantra for me. When it became clear that the ZBrush workflow was quickly becoming the industry standard, I started to get discouraged because I didn’t know how to use it like everyone else could. And while my mantra of “I’m not a ZBrusher” stayed the same, it’s meaning evolved from “I don’t use ZBrush” into “I can’t use ZBrush.” And so I just didn’t learn it and fell behind the rest of my peers. I hear a lot of students and alumni using similar self-limiting language.

“I’d like to get better at animation but I’m more of a modeler.”

“I’m not good at making characters so I just stick to props.”

Uh, no. You’re not good at characters BECAUSE you just stick to props. What I’m hearing is that you tried it once, and it was hard, and your first character sucked, so you gave up. If you make more characters you will be able to make good characters. If you want to make good animations, make crappy animations. If you want to be good at something, you have to be willing to be bad at it first.

Another thing I hear a lot from alumni is “I should get back in to maya but…”

But what? You think you’ve been out of the loop so long that you don’t identify as a CG artist anymore? What you’re saying is you have to have to BE an animator before you can animate. But that’s backwards. There’s nothing special about being an animator. An animator is just someone who animates. A runner is just someone who runs. A weightlifter is just someone who lifts weights. You see what I’m saying? People have this strange idea that they have to be bestowed with some nebulous, undefined, mystical status of CG ARTIST™ before they can make CG art. But that’s nonsense. All you have to do to be who you want to be, is to do what you want to do.

“You’re under no obligation to be the same person you were 5 minutes ago”

– Alan Watts

If you repeat something enough times, your words become your attitude and your attitude becomes your identity. That goes for positive mantras as well as self-defeating ones. There’s really no secret to getting good at whatever it is you want to be good at. You just have to stop doing other things and start doing  that thing.